Author Archives: annacoatman
Style meets attitude: a review of Lorenza Mazzetti’s London Diaries for the TLS
I wrote about Lorenza Mazzetti’s memoir, London Diaries, for the TLS. Advertisements
Style meets attitude: a review of Lorenza Mazzetti’s London Diaries for the TLS
I wrote about Lorenza Mazzetti’s memoir, London Diaries, for the TLS.
Disobedience: Critics Salon at BFI Southbank
On 5 December 2018, BFI Flare programmer Emma Smart and I took part in a Critics Salon discussion about Sebastián Lelio’s film Disobedience at BFI Southbank.
Disobedience: Critics Salon at BFI Southbank
On 5 December 2018, BFI Flare programmer Emma Smart and I took part in a Critics Salon discussion about Sebastián Lelio’s film Disobedience at BFI Southbank.
Film Poems: a discussion about the films of Margaret Tait at the BFI
It was a real pleasure to discuss the films of Margaret Tait with Peter Todd, So Mayer and Lucy Reynolds at the BFI on 5 November.
Film Poems: a discussion about the films of Margaret Tait at the BFI
It was a real pleasure to discuss the films of Margaret Tait with Peter Todd, So Mayer and Lucy Reynolds at the BFI on 5 November.
Whose story? Working class women on screen: a discussion at the BFI
I recently led a panel discussion in the BFI’s Reuben Library, in which actor Valerie Edmond, film programmer Tega Okiti, and writer and researcher Thirza Wakefield discussed depictions of working class women and girls on screen, asking: what makes a working class
Whose story? Working class women on screen: a discussion at the BFI
I recently led a panel discussion in the BFI’s Reuben Library, in which actor Valerie Edmond, film programmer Tega Okiti, and writer and researcher Thirza Wakefield discussed depictions of working class women and girls on screen, asking: what makes a working class
A radical vision in east London: an article about Four Corners & Camerawork for Sight & Sound
I wrote about the radical history of collaborative filmmaking and community photography at the Four Corners workshop and Camerawork in Bethnal Green for Sight & Sound.
A radical vision in east London: an article about Four Corners & Camerawork for Sight & Sound
I wrote about the radical history of collaborative filmmaking and community photography at the Four Corners workshop and Camerawork in Bethnal Green for Sight & Sound.
Primal Screen: a review of a book on Ingmar Bergman’s Face to Face for the TLS
I reviewed a new book on Ingmar Bergman’s overlooked film for the TLS.
Primal Screen: a review of a book on Ingmar Bergman’s Face to Face for the TLS
I reviewed a new book on Ingmar Bergman’s overlooked film for the TLS.
Political Capital from Embittered Youth: a review of Tish Murtha at the Photographer’s Gallery for frieze
What do pictures of 1970s Tyneside tells us about Britain now? A survey of Tish Murtha’s work at The Photographers’ Gallery, London, shows the compassion and conviction of the late documentary photographer.
Political Capital from Embittered Youth: a review of Tish Murtha at the Photographer’s Gallery for frieze
What do pictures of 1970s Tyneside tells us about Britain now? A survey of Tish Murtha’s work at The Photographers’ Gallery, London, shows the compassion and conviction of the late documentary photographer.
